Carl Maria Von Weber
Der Freischütz
German Romantic opera began with Der Freischütz, a landmark in the history of music. Admired by Beethoven, the work became a source of inspiration for a whole generation of composers. Der Freischütz owed its success to the poetic power of the fantasy world it depicts and to its masterly scoring, harnessing the beauty of expressive orchestration with theatrical impact. Laurence Equilbey offers an interpretation of an opera that is close to her heart, performed on period instruments, in collaboration with the theatre company 14:20 in a production that is magical and spectacular.
2h45 with interval
Coproduction Théâtre de Caen, Grand Théâtre du Luxembourg, Opéra de Rouen Normandie, Ludwigsburger Schlossfestspiele, Théâtre des Champs-Élysées, Cie 14:20, accentus
En collaboration avec l’ENSATT
Tuomas Katajala, Max
Johanni van Oostrum, Agathe
Chiara Skerath, Ännchen
Vladimir Baykov, Kaspar
Christian Immler, Eremit
Thorsten Grümbel, Kuno
Samuel Hasselhorn, Ottokar
Anas Seguin, Kilian
Clément Dazin, Samiel
accentus
Insula orchestra
Laurence Equilbey conductor
Frank Markowitsch choirmaster
Cie 14:20 - Raphaël Navarro, Clément Debailleul staging
Cie 14:20 - Valentine Losseau dramaturgy
Émilie Rault staging assistant
Elsa Revol lights
Siegrid Petit-Imbert costumes
Mar
1
Mar
3
Mar
7
Mar
8
Mar
17
Mar
22
Jul
12
Jul
14
IL TROVATORE
BRAHMS / SCHOENBERG / SAARIAHO
HAHN / SAINT-SAENS IN THE LIGHT
LA VIE PARISIENNE
CHRISTMAS ORATORIO
ROMEO AND JULIETTE
CELEBRATE THIS FESTIVAL
DIXIT DOMINUS
SEVEN STONES
IPHIGÉNIE EN TAURIDE
MISSA SOLEMNIS
ACCENTUS RACHMANINOV
DIXIT HAENDEL INSULA ORCHESTRA
JENUFA
FIDELIO – DAVID BOBEE
THE ENCHANTED FLUTE
THE BARBER OF SEVILLE